Privée Pleasures: Worthy Replica Cartier Paris Collection Watches For Appreciation

Originally created to give collectors a chance to own vintage-looking Cartier watches, the timepieces in Collection Privée Cartier Paris have become highly sought after in their own right.

The Fine Watchmaking Collection, Cartier’s current high-end watch line, is a stunning series comprising complicated watches, which showcase the maison’s high-tech horology. The collection is made in Cartier’s own 30,000 square meter manufacture in La Chaud-de-Fonds and represents the very best that the brand has to offer today.

Collection Privée Cartier Paris (CPCP), on the other hand, was much more a celebration of what the maison had achieved in design through the 20th century. The collection, which ran from 1998 to 2008, was based on the legendary case designs that the brand is so famous for. It fulfilled a desire on the part of collectors for vintage-looking best-quality fake Cartier watches online, with historic details and a movement belonging to the finest Swiss watchmaking tradition.

All movements within the CPCP series were from brands like Piaget, Jaeger-LeCoultre, Gérald Genta, Techniques Horlogères Appliquées (THA) and Frédéric Piguet, and hand-assembled and inspected by a master watchmaker. high-performance copy Cartier took these high-grade movements and added its own finishing, such as the traditional Côtes de Genève motif and the interlaced Cartier double “C”. Many watches in the CPCP series had a display caseback to show the decoration of the movement, which became one of the signature elements of the CPCP collection.

 The watch faces were no less impressive, with each dial made in 18ct gold, covered with a silver layer and traditional guilloché varying from a very fine pattern on the smaller Santos-Dumont watches, to a more prominent design on the larger Tortue models. The rail track, Roman numerals and markings were all stamped directly on to the dial.

Many of Cartier’s early 20th-century watches had the word “PARIS” inscribed underneath the brand name, which gave the dial something extra that became much-sought after by collectors. In response, Cartier added the same word to almost all CPCP watches. Just one model had a dial without “PARIS” on it – the Tank Cintrée with Arabic numerals produced in both yellow gold and platinum. (The same version with Roman numerals came with the familiar inscription.)

Coming Up Roses

Another typical CPCP design feature that characterised the collection was the central rose motif. Just a few of the watches from the first CPCP launch in 1998, like the Santos Dumont, Tank Américaine, Tonneau and Tank Obus were delivered without the rose, but those models, relaunched in the following years, were redesigned to include the flower.

The rose motif and the “PARIS” engraving were important features that helped to push the series to another level; collectors always mention these details when CPCP is discussed. The same thing happened with the numbering on the back. During the first year, some models were delivered with standard numbering, while from the second year onwards, all models had an individual numbering and an indication of the number produced – of particular interest when the watch is a limited edition.

One of the stand-out models in the CPCP collection is, without a doubt, the Tank Louis Cartier, produced in its historic dimensions of 33.5mm by 25.5mm in yellow gold and in platinum. The watch has baton-style hands and is powered with the ultra-slim Cal. 021MC manual-winding movement by Piaget; the crown is set with an impressive sapphire. In 2006, that same watch was released as the Louis Cartier XL, powered by Piaget’s hand-wound 9701MC movement, visible through the display caseback of the 30mm by 39mm, rectangular rose-gold or platinum case. It was said that the total number of watches produced in pink gold remained below 300 pieces, while no more than 50 pieces were made in platinum. Unfortunately, this model was not a numbered limited edition.

The smallest CPCP men’s model was a re-issue of the Santos-Dumont 1913 in yellow gold, produced in a limited edition of 100 examples. Here, Cartier went a step further and supplied the watch with a vintage-style, non-adjustable folding buckle. The strap had to be custom-made to fit the client’s wrist. The dimensions of the case were 24mm by 34mm, and the timepiece was supplied with the 9780MC Jaeger-LeCoultre movement. It also had a stunning, not-often-seen, facet-cut sapphire crystal. A slightly larger Santos-Dumont at 27mm by 36mm was also available in platinum and yellow gold, powered by a hand-wound mechanical 021MC H3 Frédéric Piguet movement. Both models have Breguet hands and a closed caseback. And of course, “PARIS” was inscribed below the brand name.

Dating back to 1928, the monopoussoir complication was one of the first complications Cartier developed. The highly sought-after Tortue MP was the first model to incorporate this complication, and Cartier did a really good re-issue in yellow gold for the first CPCP release – almost like the original model, but with a slightly larger and more contemporary case. The comeback of the Tank Mono Poussoir was even more spectacular – a stunning but once-completely-unknown Tank dating back to 1935 that now became available in a limited edition of 100 pieces each in pink and white gold. The Tortue MP and the Tank MP shared the same 045MC movement, specially developed by François-Paul Journe, Denis Flageollet and Vianney Halter for these top copy Cartier models – and also used in the De Bethune DB1 monopusher chronograph.

Blue Hands Copy Cartier Paris Collection Watches

Tales Of The Unexpected

Cartier did not do much to publicise the Collection Privée and we can only guess at the reason. But it looks like the low-production series sold out very quickly. The limited editions were usually produced in less than 100 pieces and the non-limited editions often did not number more than 250 to 300 pieces. At the time the internet was not the fount of all watch knowledge that it is today and there were certainly no watch blogs, so it was not as easy for collectors to find out what new models had been launched. The boutiques were supplied with a little brochure, but it was not updated on an annual basis as most contemporary catalogues are.

To make it even more confusing, some CPCP models were launched only in a certain territory or for a special occasion – for instance, the Tank Chinoise Double Fuseau that was made for China had all the typical CPCP details like the rose and “PARIS” on the dial, and was produced in 100 pieces each, in pink and white gold. But outside of Asia, no one was aware of its existence. It was a remarkable travel watch, specifically created to celebrate the relations between France and China.

Other amazing examples were the few pieces that were exclusively sold by the Cartier flagship store at 13 Rue de la Paix. The Paris boutique had long been closed for renovations, and when it reopened in 1999, with huge parties to celebrate its 100th anniversary, there were a few very special watches made to commemorate the occasion. One of the most well-known and important pieces was the Tortue Mono Poussoir in white gold, with a salmon-coloured dial and a big Arabic numeral “13” – instead of a Roman numeral XII – and produced in an edition of just 13 pieces.

Much more bizarre was the Driver watch that dates back to 1936 and was barely launched commercially. It was a very small and strangely curved watch that measured just 19mm by 34mm. Due to that  curved shape and the fact that the folding buckle is attached to the case, it can only be worn on the side of the wrist; so when holding the steering wheel, there is no need to turn the wrist to check the time. It was a so-called “back winder”, which has a flat crown that sits on the back of the watch. The Driver had a salmon-coloured guilloché dial, with a large Arabic “13”, just like the Tortue Mono Poussoir.

An interesting addition to the Collection Privée came with the release of the Tank à Vis, which was presented as a new model with a whole new name. In fact, the Tank à Vis – launched as a series of four different models – was a modern interpretation of the Tank Étanche, with a similar case design. This new model is the only Tank in the collection that has a bezel, but the Cartier designers created a small difference between the vintage and the new model, and gave the Tank à Vis four screws on the lunette.

Cartier did a really nice job with the relaunch of the Tank Asymétrique and the Tonneau. The Tank Asymétrique – or Parallélogramme, as it was called in the 1930s – was a driver’s watch that was known for its various models with different lug constructions. The bridge constructions that Cartier chose for the Collection Privée were by far the most gorgeous of the Asymétrique collection. With its Breguet-styled hands and larger case in yellow gold, the limited-edition series – a mere 150 pieces – was sold out in a very short time.

 Male Models

In its early years, the Tonneau was a very popular and dandy model, but fell out of favour in the 1980s, mainly because the case and very narrow strap were just too damn elegant. For the CPCP series, elegant fake Cartier enlarged the case of the Tonneau, gave it all the historical details – like the rose and Breguet-styled hands – and came up with a very smart construction to make the strap wider. Instead of keeping the leather strap at the same width throughout, it became 1mm wider beyond the lugs. It gave the strap a much wider appearance, and the watch became a cool man’s timepiece that met the demand for larger and more masculine models.

CPCP was cheap copy Cartier’s first serious attempt to reach the male watch consumer/collector, and it was the foundation of haute horlogerie on a larger scale; but it also became the start of something else – a new extraordinary way of packaging watches that was soon followed by the entire industry. While men’s watches were usually sold in small and often square boxes at the beginning of the 1980s, the watches in the CPCP series came in rich red boxes that were three times as large, with room for cufflinks and rings. The inside was lined with black velvet; champagne-coloured if the watch was bought from the 13 Rue de la Paix store. Together with this large box, the new owner also received a smaller, polished hardwood presentation box, and a suede travel pouch with cloth and loupe. It is a handsome kit that one almost never receives when a CPCP watch is found at an auction or dealer. These wooden boxes are real collector’s items.

Cartier Paris Fake Watches With Black Roman Numerals
The collection came to an end in 2008 when Cartier realised that a high-end watch line could only be successful when all movements and parts are produced in-house at their own manufacture in La Chaux de-Fonds. That was also the year the Fine Watchmaking Collection was launched, starting with the 47mm Ballon Bleu de Cartier Flying Tourbillon that was pre-released in 2007, a few months before the official launch of the collection.

A huge amount of love was put into the watches, with a perfect eye making sure that the details were as close to those of the original historic pieces as possible without compromising collectors’ preferences for slightly larger and more wearable cases. When we consider that there are now over 300 Cartier mono-brand boutiques worldwide, plus all the concessions, the numbers produced in the past were really seriously limited. Collection Privée Cartier Paris replica watch with Swiss movements sales may be history now, but it has, without doubt, become the next best thing to collect when it comes to vintage Cartier timepieces.

When it comes to obtaining a pre-owned Collection Privée Cartier Paris watch, or perhaps a vintage watch from the 1930s, it is good to know that the new Manufacture Cartier is always able to restore the watch to its original beauty. From glass to crown, and from hairspring to balance wheel, knowing that the manufacture has this technological finesse makes the decision to buy a vintage watch less difficult.

Well-Rounded: The Rotonde De Cartier Chronograph Replica Watches With Black Roman Numerals

We study the styling of the Swiss stainless steel case fake Rotonde de Cartier Chronograph watch and test its in-house movement in this review from the WatchTime archives. Original photos are by OK-Photography.

At first look, $9,050, the price of the Rotonde de Cartier Chronograph, seems to be a lot to pay for a steel chronograph. But it’s only a little higher than the cost of a Zenith El Primero or an IWC Portugieser chronograph. And while we’re comparing: the El Primero is a half century old already, and the ETA 7750 that runs the comparable Portugieser chronograph is almost that old and isn’t an in-house movement. Cartier unveiled its 1904-CH MC, the caliber inside the classic fake Cartier watch, in 2013. Unlike the El Primero, it has a stop-seconds function. And although it doesn’t have a running seconds hand, its dial looks well balanced thanks to elapsed-time counters at 3 and 9 o’clock.

The 1904-CH MC is made so that the chronograph’s central elapsed-seconds hand can also be used as a running seconds hand. The two barrels maintain a constant level of drive torque independently of the winding status of their mainsprings, which ensures rate stability and precision. Our rate measurements show that the good rate continues when the chronograph is running. The results remain more or less identical after the watch has been allowed to run for 24 hours without additional winding. If the  Cartier copy watch with black alligator strap online is worn regularly, it will usually have fully wound mainsprings. The rotor, which turns smoothly in a sturdy ceramic ball bearing, winds the movement in both its directions of rotation. Bidirectional winding is achieved using an alternator with an innovative pawl-click system, which accelerates the winding speed.

The stopwatch function is controlled via a column wheel with vertical coupling. You can view the column wheel by peering through the sapphire window in the caseback and then looking even more deeply into the movement through an aperture in the upper bridge. The chronograph’s functions are triggered using two elongated push-pieces. Their large size makes the stopwatch easy to operate and the column wheel ensures that all switching sequences run smoothly.

The zero-return function is blocked while the chronograph is running. Cartier achieved this by installing a linear heart lever inside the movement. The lever ensures the simultaneous return of all elapsed-time hands to their zero positions independently of the pressure exerted on the push-piece. The vertical coupling ensures that the chronograph starts and stops precisely. But despite the high technology, Cartier hasn’t ignored aesthetic finesse. In addition to Geneva waves and satin finishing, circular graining embellishes even the hidden sides of various components. The fine adjustment system for the balance is an eye-catcher, too: the C-shaped regulator with eccentric screw not only facilitates ultra-precise setting; it also underscores the brand’s identity.

Roman numerals on the dial and “Cartier” in signature type above the two subdials emphasize the brand’s identity, too. (It’s rather challenging to neatly print the brand’s name on the silver-plated and guilloché-embellished brass background.) A sunray pattern adorns the main dial, while concentric circles decorate the subdials. The minutes are counted along a railway-style circle using Arabic numerals at five-minute intervals; the hours are shown by Roman numerals and index strokes.

These details contrast with the satin-finished flange around the dial’s perimeter, where elapsed seconds are marked according to the 4-Hz rhythm of the caliber. Seconds are shown by a slim, needle-like hand, which complements the two Breguet-style hour and minutes hands. The result is a harmonious set of blued stainless-steel hands, which are easy to read by day. The blued hands match the pointed blue spinel cabochon atop the winding crown, another characteristic of Cartier replica watches with automatic movements sales. The crown is easy to grasp thanks to its shape and the beading around its edge. Both features enhance the sporty-elegance of the case. The large push-pieces and screw-fastened strap lugs look sporty, while elegance is seen in the conical lines of the middle part of the case, which tapers toward the back, where the sapphire window is affixed via screws. The case is water-resistant, but unfortunately only to 30 meters.

The watch has a high-quality leather strap that inserts without stops from both sides into a folding clasp that pivots on one side only. This lets the wearer customize the fit of the strap, which has a certain lightness and is comfortable to wear. It takes a bit of force to open the clasp, which responds to a strong tug on its bow, which is shaped like the “C” in the “Cartier” name.

SPECS:
Manufacturer: Cartier SA, Chemin des Alisiers 10, 2300, La Chaux-de-Fonds, Switzerland
Reference number: WSRO0002
Functions: Hours, minutes, central elapsed seconds, counters for 30 elapsed minutes and 12 elapsed hours, date display
Movement: In-house Caliber 1904-CH MC, automatic, 28,800 vph, Glucydur balance, Incabloc shock absorption, fine adjustment via eccentric screw in a C-shaped spring, 48-hour power reserve, diameter = 26.8 mm, height = 5.7 mm
Case: Stainless steel, sapphire crystal, sapphire window in caseback, water-resistant to 30 meters

Strap and clasp: Alligator strap with folding clasp that pivots on one side only
Rate results (deviations in seconds per 24 hours, fully wound/after 24 hours)
Dial up  +7.6/+4.6
Dial down  +7.8/+2.7
Crown up  -2.0/+0.8
Crown down  +5.3/+5.7
Crown left  -1.7/0.0
Greatest deviation of rate  9.8/5.7
Average deviation  +3.4/+2.8
Average amplitude:
Flat positions 316°/296°
Hanging positions 264°/253°
Dimensions: Diameter = 40 mm, height = 12.2 mm, weight = 82 grams
Variations: With rose-gold case ($23,700); with white-gold case ($25,400, limited edition of 300 pieces)
Price: $9,050

Special Fake Watch Of The Week: Clé De Cartier Skeleton

The introduction of the Fine Watchmaking Collection by Cartier did several things for the brand, and one of them was making them known for their refined skeleton watches. This was a complication Cartier previously rarely ventured into, with only a few examples known in their history, many of them piece unique.

Over the last couple of years, Cartier did show that they can make an incredible skeleton watch. For this they followed the same recipe: they created bridges which look like Roman numerals (a Cartier signature since the brand was founded) Because Cartier is also the brand of the shaped cases, many of these movements had to be completely redesigned, as the movement has to fit the case precisely. Then you get watches as the Crash Skeleton, Santos-Dumont Skeleton, and this Clé de Cartier Skeleton.

Visually the watch is very pleasing because Cartier kept it so pure. It’s the movement and two blued sword hands, nothing more. They compliment the shape of the Clé case very nicely and make the Swiss high-quality Cartier replica watch with balck alligator strap look modern, without being too edgy.

Unlike the other skeleton, copy Clé De Cartier watches with blue hands  does the Clé de Cartier Skeleton has something that they don’t. The movement is an automatic, drawing its power from the skeletonized rotor on the back. Cartier did such a good job on this, that it is very hard to notice the 22K white gold rotor, as only a very small part of it is visible when you wear the watch on the wrist.

The beauty about this Clé de Cartier Skeleton is that although Cartier doesn’t really have a heritage when it comes to these type of watches, it does fit seamlessly into their brand profile. This creative fake Cartier watch online can only be mistaken for one thing, and that is a Cartier, and what a beautiful Cartier it is!